The Tenor Who Takes Prepared Gambles
Some artists sing a role. Michael Fabiano becomes one. The American tenor—speaking from the…
What Opera Schools Don’t Tell You About a Singing Career
The voice is not just an instrument. It is also a livelihood—and the two…
Gergiev at the Guangzhou Opera House
Three hundred Russians. Dozens of Chinese extras. One stage that stopped time. When the…
The Next Twenty Years — China’s Artistic Identity and the Future of Opera and Ballet
The halls are already built. The orchestras are assembling. The question that Valery Gergiev…
What War Does to People — The Psychological Depth of Prokofiev’s War and Peace
It is named after a war. It unfolds on the scale of an empire….
Stile Antico Comes East: A Conversation with Eleanor Harries Clarke
Something long anticipated had finally arrived. After years of wanting to perform in the…
The Art and Craft of Renaissance Polyphony: Why the Beauty Hides the Difficulty
Seven voices enter one by one. Each carries its own melodic line—distinct, purposeful, alive….
Beyond Sweetness: The Emotional Range of Renaissance Music
It would be easy to mistake Renaissance music for atmosphere. Easy to let it…
A Conductor Between Two Worlds: Sir Antonio Pappano Comes to Hong Kong
A Conductor Between Two Worlds: Sir Antonio Pappano Comes to Hong Kong Some conductors…
Between Opera and Symphony: Antonio Pappano’s Dual Musical Life
Between Opera and Symphony: Antonio Pappano’s Dual Musical Life He calls himself a theater…
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