The Quiet Art of Handing It Over
She could have kept the spotlight. She had earned it. Instead, Dawn Upshaw walked…
Singing the Ink While It’s Still Wet
No recording exists. No one has done it before. When Dawn Upshaw steps toward…
Michael Fabiano’s Mission to Give Every Child a Voice
A child in an underserved school hears a human voice fill a room—no amplification,…
Fire Within, Ice Above
She read him first as a schoolgirl. She never stopped. Now Carolyn Choa is…
The Master of the Unsaid
She read him first as a schoolgirl. She never stopped. Now Carolyn Choa is…
Hong Kong as a Rising Stage for New Opera
Great operas are born in Milan. In Paris. In New York. This one dares…
Two Voices, One Resurrection
Some symphonies are performed. Others are lived. Mahler’s Symphony No. 2 — the Resurrection…
The Female Voice in Mahler: Angelic, Powerful, and Indispensable
There are no tenors. No baritones. No male soloists of any kind. In Symphony…
Singing Without the Stage: Concert Performance and the Art of Pure Storytelling
No costume. No set. No character to hide behind. Standing before a full orchestra…
A Voice That Refuses to Stand Still
Few artists carry a career the way Anne Sofie von Otter carries hers —…
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